Sophie Paul (she/her, b. 1998) is a designer and writer based across London and Oxfordshire. Her work triangulates between critical theory, trashiness, and eroticisms, with an interest in feminist materiality. Her MA thesis, Notes Towards a Theory for Iridescence was awarded the 2022 RCA Writing Prize. Her writing is held at Van Gough House, Poor House Reading Rooms and Tate Archive, and has appeared in BOMB Magazine, ARC Magazine, The Pluralist, Fortified Gazette, Deptford Culture Review, and Scrawl. She has written for live voice with Montez Radio, Repeater, Export Radio, and in association with Pitt Rivers, Oxford. She has exhibited at MAC Birmingham, Lunchtime Gallery, and LUCKY as part of Kunstverein München’s interdisciplinary artists residency on the Ammersee. 

Alongside Kaiya Waerea, she is one half of Sticky Fingers Publishing, an intra-dependant publisher based in London, publishing experimental feminist, queer, crip, non-fiction.





︎︎︎ Writing Portfolio
︎︎︎ @theunofficialsoupdragon
︎︎︎ sophieanna15@gmail.com



Sophie Paul (she/her, b. 1998) is a designer and writer based across London and Oxfordshire. Working with experimental writing, collaborative publishing and performance, her interests intersect critical theory, trashiness, and eroticisms. She has written for radio and live voice, run writing and zine making workshops and staged interventionist performances at various sites around London, introducing alternative dialogues around the body as sites for interruption and excess.

Her thesis, Notes Towards a Theory for Iridescence uses the qualities of iridescence to propose an affective re-writing of the ways girlhood and iridescence intra-act. This piece was awarded the 2022 RCA Writing Prize.

Alongside Kaiya Waerea, she is one half of Sticky Fingers Publishing, an intra-dependant publisher based in London, publishing experimental feminist, queer, crip, non-fiction.

She is currently a resident at Peripheral Alliances at the Ammersee, a cooperation between Kunstverein München and Euroboden.






︎︎︎ sophieanna15@gmail.com
︎︎︎ @theunofficialsoupdragon
︎︎︎ RCA2022
Moments of Clarity is an extended piece of experimental non-fiction produced whilst on residency in Inning A. Ammersee with Künstverein Munchen (to be published by KM.) Following the conceit of the artists residency, it is a treatise on not-writing, following thoughts on an anti-capital residency model, kitchen-gardens, and Clarice Lispector’s question: ‘what is the colour of spatial infinity?’

Readings took place as part of a solo show in August and a group show in September 2022 at Lucky (München) in collaboration with  Künstverein Munchen.

Reading: 10 mins
Accompanying publication: 24 pgs, two colour risograph












Group Show

Photography & film by Tetiana Kornieiva




Solo Show

Reading by Sophie Paul, Frances Drayson and Alice Rekab.

Photography by Tetiana Kornieiva