Sophie Paul (she/her, b. 1998) is a designer and writer based across London and Oxfordshire. Her work triangulates between critical theory, trashiness, and eroticisms, with an interest in feminist materiality.
Her MA thesis, Notes Towards a Theory for Iridescence was awarded the Royal College of Art Writing Prize for 2022. Her writing is held at Van Gough House, Poor House Reading Rooms and Tate Archive, and has been published by Pilot Press, Passe Avant, PlusX, BOMB Magazine, Fortified, and others. She has written for live voice with Montez Radio, Repeater, Export Radio, and in association with Pitt Rivers, Oxford. She has exhibited at MAC Birmingham, Lunchtime Gallery, and LUCKY as part of Kunstverein München’s interdisciplinary artists residency on the Ammersee.
Alongside Kaiya Waerea, she is one half of Sticky Fingers Publishing, an intra-dependant publisher based in London, publishing experimental feminist, queer, crip, non-fiction.
︎︎︎ Writing Portfolio
︎︎︎ @theunofficialsoupdragon
︎︎︎ sophieanna15@gmail.com
Sophie Paul (she/her, b. 1998) is a designer and writer based across London and Oxfordshire. Working with experimental writing, collaborative publishing and performance, her interests intersect critical theory, trashiness, and eroticisms. She has written for radio and live voice, run writing and zine making workshops and staged interventionist performances at various sites around London, introducing alternative dialogues around the body as sites for interruption and excess.
Her thesis, Notes Towards a Theory for Iridescence uses the qualities of iridescence to propose an affective re-writing of the ways girlhood and iridescence intra-act. This piece was awarded the 2022 RCA Writing Prize.
Alongside Kaiya Waerea, she is one half of Sticky Fingers Publishing, an intra-dependant publisher based in London, publishing experimental feminist, queer, crip, non-fiction.
She is currently a resident at Peripheral Alliances at the Ammersee, a cooperation between Kunstverein München and Euroboden.
︎︎︎ sophieanna15@gmail.com
︎︎︎ @theunofficialsoupdragon
︎︎︎ RCA2022
Goldsmiths BA Design degree show book
This publication is a collection of written outputs from the final projects of 80 graduating students from BA Design. It also contains 10 contributions from tutors responding to our collectively written curational statement.
Dimensions: 240 x 170mm
Page count: 240
Print run: 750
Duotone lithograph
Printed by Calverts
Publication design: Kaiya Waerea, Sophie Paul, Céleste Williams, Rachel Orphan Show ID: Marta Company, Yena Kim, Luke Radcliffe-Moore
heylooksomethingishappening.com
@heylooksomethingishappening